May We Borrow Your Country: an anthology of short stories and poems has a forward by Preti Taneja, whose novel, We That Are Young, won the Desmond Elliot Prize 2018 for the best debut of the year. This forward discusses the need for a whole story told by multiple writers, referencing Arundhati Roy and Chimamanda Ngozi Adichie.
This collection is the beginnings of telling a whole story by The Whole Kahani (handily, in this context, this means The Complete Story), which is a collective of British novelists, poets and screenwriters of South Asian origin. The stories and poems form the beginnings of a picture of what it means to be British and of South Asian origin, what it means to have more than one set of cultural expectations, more than one home. Though the stories and poems offer many different perspectives, there is an overall feeling of pensiveness – I wanted to say melancholy, but the causes of this feeling are all too overt. As Reshma Ruia puts it in her poem ‘Dinner Party in the Home Counties’:
‘Is female infanticide still common?’
‘Are you going for an arranged marriage?’
‘How long before you go back?’
The questions fly like arrows thick and fast
Wounding me until my skin is a battleground
How gratified they look
This well-meaning, thoughtless racism floats through many of the stories and poems of the collection. ‘Lost and Found’ by Shibani Lal has a protagonist who acquires the contents of some lost luggage and discovers memories of childhood in the saris and scarves inside, that reawaken a forgotten identity smothered by her adopted Britishness, especially in the face of an English charity worker totally uninterested in listening to her.
This photograph by Jags Parbha is of The Whole Kahani: Reshma Ruja, Kavita A. Jindal (co-founders), Mona Dash, Radhika Kapur, CG Menon, Shibani Lal, Deblina Chakrabarty and Nadia Kabir Barb. Continue reading