Told across two timelines: one in 1976 when Loo and Bee were children living on a farm in Derbyshire with their three other siblings and their father, Joe, and mother, Cathy; the other in the present when Lucy (Loo) is the only child living close enough to visit Cathy, who suffers from dementia and lives in a care home. What connects the two is the farm house they lived in and a paranormal investigation that began when a police officer was called to the house by Cathy back in 1976. After days of knocking on the walls and slammed doors, a hail of marbles was pelted down on the two older girls and with Joe away working, Cathy was scared. All these years later, a new investigation is beginning and Cathy has been contacted by the new team of researchers looking for evidence up at the farm. Continue reading
Rosewater is not only the winner of the inaugural Nommo Award for Best Novel (Africa’s first award for speculative fiction), but also the winner of the Arthur C. Clarke Award 2019, shortlisted for the Kitschie Award for Best Novel 2019 and finalist in the John W. Campbells Award for Best Science Fiction Novel. With all of these accolades you open Rosewater filled with expectations and the novel, the first in the Wormwood trilogy, does not disappoint. I was gripped right from the start.
Centred around Kaaro, a government agent and sensitive – meaning he can read people’s minds using the xensophere, an interconnected series of spores that live in the air and link everything and everyone together. His day job is in bank security, stopping other sensitives from accessing important data that might allow them to steal from the bank. His government work is more complicated, more dangerous and centred around the biodome. Continue reading