I loved this book. At first, I was taken aback by all the space; there is an aphoristic feel to the style, to the layout and there are many quotations from Susan Sontag and Virginia Woolf in particular. Was I reading a compilation of other people’s thoughts? Sometimes the simple clarity of the prose knocked me off guard. What was I reading? What would this book give me?
Then, as I read on, I found myself delighting in the space, embracing all that room for contemplation that the book gave to these simple, difficult words about female desire. I say difficult because, as the book explores, discussing female desire is fraught with conditioned expectations, dichotomies of interpretation, a fear of how it will be interpreted and a culture that prefers women to stay silent about their desire. A woman full of desire, a woman hungry for sexual experience or to be in charge of her sexual experience, a woman who refuses to be good, to be compliant, is threatening. It is far easier to stay silent.
This hunger, this desire to consume and explore, to gorge on pleasure, to take centre stage, is at the heart of a feminism that is all about owning every part of a woman, even the desires that play with misogyny, that sit at the painful edge of a cultural shift away from patriarchy that we are still very much in the middle of.
Unmastered is a totally engrossing read. I know I will go back and back to it. I’ve turned down so many pages the book now has that fan quality, its edges ready to be unfurled, ready to fuel my own thoughts.
Go Katherine Angel! Thanks to Heidi James for suggesting this. What a great read. I’ll be reading and reviewing Sealed by Naomi Booth next.
What It Means When A Man Falls From The Sky is a beautiful, diverse collection of stories. There is no one genre and yet all the stories have a definite voice that make it clear they belong together and to Arimah. This is impressive in a short story collection, to have such different stories feel as if they speak from the same place, a place that feels like a longing for home, love and freedom of expression. Lesley Nneka Arimah is a true and mesmerising storyteller. Continue reading
Told across two timelines: one in 1976 when Loo and Bee were children living on a farm in Derbyshire with their three other siblings and their father, Joe, and mother, Cathy; the other in the present when Lucy (Loo) is the only child living close enough to visit Cathy, who suffers from dementia and lives in a care home. What connects the two is the farm house they lived in and a paranormal investigation that began when a police officer was called to the house by Cathy back in 1976. After days of knocking on the walls and slammed doors, a hail of marbles was pelted down on the two older girls and with Joe away working, Cathy was scared. All these years later, a new investigation is beginning and Cathy has been contacted by the new team of researchers looking for evidence up at the farm. Continue reading
Rosewater is not only the winner of the inaugural Nommo Award for Best Novel (Africa’s first award for speculative fiction), but also the winner of the Arthur C. Clarke Award 2019, shortlisted for the Kitschie Award for Best Novel 2019 and finalist in the John W. Campbells Award for Best Science Fiction Novel. With all of these accolades you open Rosewater filled with expectations and the novel, the first in the Wormwood trilogy, does not disappoint. I was gripped right from the start.
Centred around Kaaro, a government agent and sensitive – meaning he can read people’s minds using the xensophere, an interconnected series of spores that live in the air and link everything and everyone together. His day job is in bank security, stopping other sensitives from accessing important data that might allow them to steal from the bank. His government work is more complicated, more dangerous and centred around the biodome. Continue reading