Alongside many, I was eagerly awaiting The Testaments. I had it on pre-order and dragged it from the packaging with delight. How was Margaret Atwood going to take The Handmaid’s Tale further? Would it reference the television programme that extended the original novel? What more could be said by June?
Once again, Margaret Atwood showed what a fantastic storyteller she is by choosing a story that could be read on many levels. You could read The Testaments without reading The Handmaid’s Tale; I suspect it would stand as a novel on its own. Similarly you could definitely read The Testaments without having seen the television series. However, there is a greater richness to the story when you can hold them all together. There is something very interesting about this idea of using multiple media to expand and enhance a world. It is not new, of course, but it does provoke interesting opportunities for the writer whose skills are pushed in new directions. It can’t have been possible to write this novel in isolation from the response to the original novel and then the television series. How do you write something new on a subject so many see themselves as being experts in? Continue reading
L-J is travelling back to England after 20 years in the States. The journey begins with a plane ride that is anything but routine. From the very start we are introduced to the idea of the glitch, the fault in the system, the fracture that reveals what is below the surface. Something happens to the plane, some kind of tear in business class that decompresses the aircraft and forces an emergency landing.
L-J films it. L-J photographs the glitch on the screen when it’s display doesn’t work correctly. He has always loved those little fractures that have come, through long discussions with his mother, to represent not only what art should attempt to unveil – the imperfections that reveal different realities that lie beneath – but the essence of what it is to be human, to be alive. We are the glitches. Continue reading
Everything I’ve read about Sealed doesn’t really do it justice. Though the story is horrifying and gory with a great deal of menace; though there is an interest in what it means to be a parent when facing difficult times; it is also more than a young parent’s ecological horror story. This is more than the usual gore of birth, toil, poverty and death. It’s about things turning on themselves, about judgements and decisions that come in the face of a world changed by our use of it. Not only a world changed, but our bodies changed.
Cutis, a skin disease where our largest organ grows more than it needs to, sealing over the important orifices like mouths, nostrils, ear canals and anuses, is spreading. Thin stretchy white tendrils seem to form overnight, suffocating, poisoning, deafening, maiming. A disease only the richest can afford to fix, a disease whose spread governments are keen to conceal, where ‘natural causes’ like heart-attack (from panic), or obstructed bowel etc. hide the spread of cutis, leaves Alice, a pregnant housing officer whose mother has recently died from cutis, obsessed by the reality of the disease. Though Alice and her partner Pete attempt to escape Alice’s fears of this disease by moving out into the country, way out to a remote mountain house near the forest, the sense of menace never leaves them and all Alice’s promises to put her obsession behind her are forgotten in the face of an epidemic that no one seems able to escape. Continue reading