Set across the Gold Coast of Africa and several states in America, Homegoing tells the story of one family as the descendants of two sisters, Effia and Esi, travel back and forth from Ghana. We are given multiple different views of the slave trade and of how heritage, tribe and skin colour affect the choices people make.
It is very easy to fall under the spell of this novel. The storytelling is so compelling and elements of the magical real, that bring ancestral memory to life, weave delightful patterns across so many different lives. Continue reading
I’m delighted to be part of the Blog Tour for the paperback edition of A Secret Sisterhood: The hidden friendships of Austen, Brontë, Eliot and Woolf published by Aurum Press and out March 1st. It is one of those books from which you absorb information without realising it. With a forward from Margaret Atwood, it’s a manifesto for female literary friendship.
Emily Midorikawa and Emma Claire Sweeney have been interested in literary female friendship for some time. Not believing that the famous male literary friendships, like Coleridge and Wordsworth or F. Scott Fitzgerald and Ernest Hemingway, had no female counterparts, A Secret Sisterhood is the culmination of a journey begun in 2014 with Emily and Emma’s Something Rhymed project which celebrates a whole host of different female author pairings. Continue reading
Asymmetry is a novel of three parts. The first is about a young woman named Alice, an aspiring writer, who has a love affair with the literary giant, Ezra Blazer. It’s set in New York. The second is about an Iraqi-American economist, Amar, held by immigration in Heathrow, London in 2008. The third is the transcript of Ezra Blazer’s appearance on the BBC Radio 4 show ‘Desert Island Discs’. Continue reading
There is nothing sweet about this novel. Though it is a short and quick read, every word resounds with a silent echo that makes the clean, sharp prose searing and intense.
Set in Switzerland, the narrator speaks of her time at various boarding schools and of one friend at a certain school in particular: Frédérique, a clever, beautiful girl who keeps her distance from the others. The narrator wants Frédérique for her own. Continue reading
Fire on the Mountain is a formidable novel. Like a mountain itself it is daunting and alluring. It stands loudly in the landscape, crying to be made sense of, the air thinner at its summit, more rarified, the winds harsh against it. The writing is searing and fierce, though even the most minutely explored character has a complexity that allows for empathy whether we like them or not. To summarise the novel, is to diminish it because it is about much more than the plot, but I’m going to give you a brief sense anyway (no spoilers you don’t get from the back cover, I promise). Continue reading
Eighteenth Century London, whores, merchants and mermaids; The Mermaid and Mrs. Hancock has them all and knows how to play each part to create a beautiful symphony. The language is rich and unguent. The characters full of emotions and desires.
Sometimes you open a book and feel certain of where it is headed, but The Mermaid and Mrs. Hancock takes surprising roads in its exploration of the different strata of London. We follow one young mixed race girl as she rejects notions of a black brotherhood. We are confronted by the anger of shipbuilders not paid properly for their honest work that supports a whole Empire of trade. And we see the scope of women’s lives in the poor and new middle-classes. Continue reading
I really enjoyed being immersed in the natural world of The Unseen. Island life off Norway’s coastline back in the 20th Century – though it could almost be anytime – is a delicate balance of resources, humans against animals, crops, the ocean and the weather. The blowing of the wind, the changing of the seasons, the softness of the eider down plucked from the eider ducks that nest beneath their front step, these things have a texture and smell, a visceral life that ensnares the reader. Continue reading
The stories of this collection are undoubtedly precise. In their concision an air of disdainful melancholy hangs over the prose as if the terrors of ordinary life are too mundane to speak of and yet they must still be spoken of. Boredom, loneliness, sleeplessness, loss, all squirm under the surface of the characters who try so hard to make sense of it all that anger, violence or simple disinterest result.
Having only just finished reading the collection, I feel I must turn to the beginning and start again. There is an aesthetic quality, a vision that entices and repels me; it’s almost like learning the nuances of a new language: it takes study. Continue reading
This isn’t a review but I’m excited to share this recording of my story ‘A Jackdaw Calls’. Thank you The Other Stories Podcast. Listen here. The picture I’ve added here is the one I refer to in the discussion and is Cenotaph to the Memory of Sir Joshua Reynolds by John Constable.
As the title suggests, Attrib. and other stories is a collection of works that delights in examining and redefining the often surprising characteristics of people and things, particularly in terms of their etymology. Many of the stories echo with birdsong, and many burn with the intensity of emotions associated with falling in and out of love. They reexamine the periphery of events, so that saying goodbye to a loved one is set against the simultaneous loss of a man’s toupé caught up by the wind and blown into someone else’s face (‘Platform’), or the view of another goodbye scene is reimagined through the witness of a spider in the corner of the room (‘Spins’).
Perversely, because this story is not typical of the collection given that it isn’t in first person and doesn’t overtly play with words, my favourite story of book is ‘Spines’. It’s about a family who discover a hedgehog in the pool of their French holiday home. Their life is lived around the creature’s struggle to survive. Continue reading