Beautiful World, Where Are You by Sally Rooney

Cover of Beautiful World, Where Are You by Sally Rooney

I probably should have written this review right after finishing reading Sally Rooney’s latest novel, but I didn’t. I enjoyed devouring the book, reading it pretty much without interruption until it was done. I enjoyed the careful, considered distance of the narrator and the witty dialogue that seemed to take us one step further away from the novelistic concept of being able to read another’s thoughts. This is, however, countered by the inclusion of emails, written very much like letters, that pass between the two central female characters, Alice and Eileen, both in their 30s.

Alice is a novelist struggling with the pressures of fame who is recovering from depression and seriously uncertain about the value of writing, but at the same time eager to defend her art.

Eileen works for a literary magazine and despite being beautiful and super smart, is unable to generate enough self-confidence to write her own work and to control her love life.

Both women have love interests in the book, which take characteristically for Sally Rooney (and realistically) unstraightforward trajectories based on miscommunication and emotional baggage.

In between the dramatic scenes of courtship and friendship are rather tortured debates about politics, class and sex as well as passages of description that question the equivalence of Alice’s boyfriend’s work in a factory with her work at home on a laptop. Power and its misuses, the agency of a middle class literary folk, are all up for debate and there is a self-conscious level of introspection that is both fascinating and occasionally overbearing. 

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Normal People by Sally Rooney

Cover of Normal People by Sally Rooney

I came to this novel late. Everyone talked about loving it. I wasn’t drawn to the idea of reading a popular novel about love – not sure what that says about me.

Of course, once I’d opened the pages of this novel set in Dublin and County Sligo, I was there exactly for that intense, early adult exploration of identity through relationships, in this case, one relationship, that between Connell and Marianne.

Connell comes from a single-parent, working class family and, though shy, is popular in school. Marianne, also in a single-parent family, comes from a wealthy, but dysfunctional home. Unashamed to hide her intelligence, unafraid to stand out from the crowd, she is not at all popular in school. Given that Connell’s mum works as a cleaner in Marianne’s house, the two teenagers meet outside of school and form an attachment.

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