Our protagonist, only ever named Mr. Mahoney and usually not referred to by name at all, is a young man trying to make his way in the world.
His mother died when he was young leaving him alone with his sisters and father. His father is morose, beats his children and bemoans his hard labour on the land and their poverty.
The boy wants to be a priest, at least he wants to escape this world of his father’s making.
He wins a scholarship to a local school and then another scholarship to study at the university, all the time working through his complex feelings about the world and his place in it. As life throws different situations in his way, he learns not only about himself, but about the world outside of his father’s home. These experiences cast his home in a new light.
The Dark is recognisably Irish. There is something Joycean about it. In theme as much as in style: the son struggling against a boorish father; the meticulous play with style. For as well as precise language, a studied and emotive use of the passive voice, there is also a playful use of point of view. Continue reading The Dark by John McGahern